GOD
IS
A
PARKING
LOT
FOR
HUFFING GAS
the new york-based artist drawn to big subjects – vehicular agency, struggle appropriation, subway tokenhood, neighborly violence, inverted sexuality practices, performance littering, other-destruction, aging with grace, self-negation, dense installations packed with paintings, voided sculptures, science aesthetics, readymades as photographs, and contributions from friends working with art, design, or literature. lo-fi or analog technology in digital age-making, a background in mathematics and sound art prior to attending art school, performances and sculptures are laced with jokes and wordplay that never quite obscure a certain philosophical and political seriousness. The visual dimension of writing, the death drive in homosexuality, and the irrelevance of cultural relevance.
Someone's been killed